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#Funksighting Sunday afternoon 3:30pm July 5th, Captain Cook Hotel,Kent St. 7 piece band.. 🔥performing some of my original songs
2 weeks ago
#Funksighting Sunday afternoon July 5, Captain Cook Hotel Kent St. TIME: 3:30pm. 7 piece band.. performing some of my original songs.
2 weeks ago
#Funksighting. Craig Calhoun's 7 piece #Funksighting. 3:30pm on stage. Captain Cook Millers Point.
Clayton Doley & Fenix Martinez - Keyboards
Chris Kamzelas & Eric Rasmussen - Guitars
Aiden Haworth-Drums Bec Caruana - Vocals
On Bass they call me "CC"
3 weeks ago
Captain Cook Millers Point-Kent st. Sunday July 5, 3:30pm. @claytondoley on Hammond, Fenix Martinez @fenix_l_m on Synths, Chris Kamzelas @chriskamzelas and Eric Rasmussen @ezzaraz on Guitars, Aidan Haworth Drums. On Bass they call me "CC"
4 weeks ago
#FunkSighting Sunday July 5th 3:30
Captain Cook, Millers Point
Warning Bass solo in video:
4 weeks ago
#funksighting with a taste of Rock & Roll? This Saturday 31 January, Captain Cook, Millers Point. 7:30. I've convinced my vacationing friends from Berlin to get up and share their Rock and Roll groove. https://www.instagram.com/reel/DO0YKXnDF1L/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==
5 months ago
When a #FunkSighting is all you need to realign your groove.
Saturday 31st. Captain Cook Hotel, 33 Kent St. BONUS - I have friends from Berlin I've convinced to get up and open the evening.
6 months ago
I can feel a #funksighting coming on! Jan 31 Captain Cook Millers Point 7:30pm. Chris Kamzelas-Guitar, David Williams-Drums. I have some friends on holiday from Berlin I'm gonna invite to play a couple of songs. 💯🎉
6 months ago
Taking a moment to celebrate
my connection with Wayne Jones began in the ’90s and grew into a friendship grounded in listening, curiosity, and shared respect for craft.
Years later, while touring in Melbourne, I visited Wayne at home. Surrounded by components and prototypes, he asked me to sit at the kitchen table and listen to something he’d been developing.
On the table was the prototype of his mid-size studio monitors, connected to an audio interface and a laptop. Wayne asked me to choose a track I knew intimately. I selected Purple Rain — a recording deeply tied to a formative period of my life.
Almost immediately, I assumed I was hearing a remastered version. The level of detail was startling: reverb tails unfolding naturally, instruments occupying clear front-to-back depth. It wasn’t flattering — it was revealing. The architecture of the mix became visible.
The only other time I’d experienced that level of clarity was in a multi-million-dollar studio in Switzerland built around one of the original Focusrite consoles.
I later heard Wayne’s monitors in multiple professional environments, including side-by-side comparisons with established high-end systems. Each time, they stood out.
After installing a pair of Wayne’s mid-size monitors in my Sydney studio and completing a detailed SoundID room calibration, the result was immediate.
These monitors don’t exaggerate — they reveal. EQ, compression, reverb, and panning decisions are laid bare, and mixes translate across cars, consumer systems, and streaming platforms.
This isn’t just a story about gear. It’s about trust, persistence, and a friendship formed through listening.
Thank you, Mr Jones.
7 months ago
#funksighting Manly shared the Love!!
The FUNK was sighted!! We weren't permitted to play any longer...but the crowd demand exceeded the gatekeepers shutting it down. Comment if you were there.
10 months ago